Murder Rock - Dancing Death (1984) (aka Murderock - uccide a passo di danza)

Dir. Lucio Fulci


Starring Olga Karlatos, Ray Lovelock, Claudio Cassinelli, Cosimo Cinieri

The term is coming to an end at New York’s The Arts for Living Centre and three students are being selected to appear in an upcoming Broadway show. Their teacher Candice Norman (Olga Karlatos) is worried that the rivalry amongst the students might bring out the worst in them. That evening she’s proven right, when someone kills off Susan, one of the star students of the academy, by puncturing her heart with a long needle. Not long after the murder another student is found dead and Candice dreams of a mysterious man (Ray Lovelock) attacking her. When she sees the mans face on a billboard, she starts looking for him. He turns out to be a failed actor by the name of George Webb and before long Candice falls in love with him. But when it turns out George had an affair with a young girl who died under mysterious circumstances, Candice starts wondering if the dream was a premonition...

Made four years after the original 'Fame' film and with the TV-series still running, the setting of this Lucio Fulci directed 1984 giallo must have seemed like a great idea at the time. I can just imagine the pitch: “There’s a murderer loose in the Academy of Performing Arts and there are also LOTS of girls in skimpy outfits”. Cue plenty of dance scenes, leotards, leg warmers and a very 80’s score by Keith Emerson. There are some cracking alternate titles too, such as Slashdance and Giallo a Disco, both almost sounding too good to be true.
No doubt the producers hoped this would be a box office success because even though it’s slightly more graphic than your average thriller, the violence seems very restrained for a Fulci film. Especially when you compare it to his earlier giallo set in New York, the infamous New York Ripper. Not much is made of the New York setting, there’s a token shot of the NYC skyline every 15 minutes or so to remind us where we are but apart from that most of the film is shot at a soundstage. Apart from Karlatos and Lovelock the cast also includes Christian Borromeo (Tenebrae) and Al Cliver in a cameo but apart from Cosimo Cinieri as Lieutenant Borges, there really isn’t anybody whose performance stands out.
Nobody would call this a great film; most wouldn’t even call it good. There’s some gut-wrenchingly bad Fame-inspired dialogue “Success doesn’t come easy, you got to pay for it. You’ve got to grit your teeth and dance, even when a friend dies...” and some truly hilarious but repetitive dancing but I found this strangely entertaining in spite of all this. It’s certainly a lot more entertaining than most of Fulcis later directorial efforts.

Peter

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